though is to make a beautiful painting…”
EARLY WORKS
As a nascent painter in the early 1980’s I was on one of those museum strolls we all make and one day was studying a wall of Egyptian hieroglyphs. Enchanted by the arrangement of symbols and form, I found myself wanting to participate and to inject or retrieve some kind of meaning from them.
MIDDLE YEARS
By the mid-late 90’s the paintings took on a more naturalistic imagery whose subjects mingled animals in landscapes (below left: Swirl, 2000, o/c 72”x84”; below right: A Magpie, 2004 o/c, 12”x 16”). These new paintings seemed to encourage a storyline, but were really nothing more than what you invested them with. By 2005 the animal references were abandoned, and I began the large dramatic landscapes I call the Natural Phenomena paintings.
RECENT PAINTINGS
As subjects evolved, the instinct to assign meaning to an unfamiliar visual situation remains the content of my work. The successful paintings prompt the viewer to interpret or apply meaning to an image even while it cannot be definitively understood. The work shown here is from the early 2020’s and is the final precursor to the “Unseen” trilogy which was to follow
PORTFOLIO
EXPLORE THE COLLECTION
Events & Programs
08 OCTOBER
Swirl Painting Of The 19th Century
08 OCTOBER
Naive Painting Of The 19th Century